Wednesday, January 31, 2018

Trading Places (1983)


TRADING PLACES
John Landis
1983 • 116 Minutes • 1.85 : 1 • United States
Paramount Pictures 

Cast: Dan Aykroyd, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliott, Jamie Lee Curtis
Screenplay: Timothy Harris, Herschel Weingrod
Cinematography: Robert Paynter
Producer: Aaron Russo

Awards

Academy Awards
Nominee: Best Music, Original Song Score and Its Adaptation or Best Adaptation Score - Elmer Bernstein 

BAFTAs
Winner: Best Supporting Actor - Denholm Elliott 
Winner: Best Supporting Actress - Jamie Lee Curtis 
Nominee: Best Screenplay - Original - Timothy Harris, Herschel Weingrod 

Golden Globes
Nominee: Best Motion Picture - Comedy or Musical
Nominee: Best Performance by an Actor in a Motion Picture - Comedy or Musical: Eddie Murphy 

SOME VERY FUNNY BUSINESS


SPOILERS AHEAD

You know, it occurs to me that the best way you hurt rich people is by turning them into poor people.

In this modern re-telling of Mark Twain's The Prince and the Pauper, John Landis explores class and race divisions of the 1980s. Louis Winthorpe III, a wealthy, successful and snobbish commodities broker for the Duke & Duke firm. Eddie Murphy is a street hustler and conman, Billy Ray Valentine. The two men's paths inadvertently cross one day, when Louis mistakenly (with a dash of racism) believes that Valentine is trying to rob him. The police quickly descend on him and cart him off to jail. Meanwhile, this gives Randolph and Mortimer Duke, Winthorpe's bosses, an idea. The two men are constantly arguing on the long standing debate of nature vs nurture. A plot is born as Randolph (Bellamy) bets his brother Mortimer (Ameche) that he can take a "useless" con man like Valentine, give him every advantage of wealth, and turn him into a success. Mortimer takes the bet, theorizing that even in a disadvantaged state, Winthorpe's superior genes will rise to the top and he can overcome any situation. Soon, the Dukes frame Winthorpe for theft, while at the same time bailing Valentine out of jail. They gift Valentine Winthorpe's home, money and butler, while Winthorpe spends the night in jail. His fiancee breaks up with him when a prostitute (paid off by the Dukes' henchman Clarence Beeks) comes onto him in front of her. 

In his new role, Valentine learns all about trading and the stock market, finding he has a knack for it due to his street smarts. He quickly adapts to the pampered lifestyle and makes the most of it. Winthorpe flounders, first taking residence with the prostitute, Ophelia, (Jamie Lee Curtis), and falling into a downward spiral of drinking, drugs, pawning possessions and buying weapons. It all comes to a head when he tries to frame Valentine by planting drugs in his (old) office. The Dukes see what poverty has brought on to Winthorpe and settle their bet. Randolph wins for the tidy sum of 1 dollar. Valentine learns of the bet, tracks down Winthorpe and the two plot a scheme to take down the Dukes once and for all, using the stock market and (orange juice) as their main weapon.

Trading Places is a hilarious comedy, from start to finish, thanks to Murphy and Aykroyd, who were both at the peak of their post-Saturday Night Live careers. What is striking is the themes of race and class that are still prevalent today. Mortimer Duke, the Don Ameche character, believes that nature will win out in the bet. It is not a huge logic leap to see that he's talking about Aykroyd's status as a white man will always beat out Murphy's status as a black man, expecting Winthorpe to succeed and Valentine to fail. We also see how incredibly difficult it is for Aykroyd to survive and adapt to a socio-economic situation that plagues many African Americans. The film, through its comedic premise, is very clearly arguing for a leveling of the playing field. The film climaxes with the Dukes being punished for their greed, taken down by the very people they exploited, Valentine and Winthorpe. Or to put it another way, when the working man unites, regardless of race, they can topple the old money establishment. It's extremely satisfying.

The film was a major financial success for Paramount, grossing $90 million (approx. $263 million adjusted for inflation) and placed 4th of the top grossing films of 1983, behind Return of the Jedi, Terms of Endearment and Flashdance

The film is not perfect. Some of the comedy is dated and overly broad, like Clarence Beaks getting stuck inside a gorilla suit. And the blackface by Aykroyd in the third act is embarrassingly cringe-worthy. But the performances by Aykroyd and Murphy overcome any bad comedy and turn it into all time classic. (Though, admittedly, I still need to look up exactly what Valentine & Winthorpe did to the Dukes at the end of the film every time I see it, as to the layman viewer, it's a little complex. All that really matters is that you know the Dukes lose.) Jamie Lee Curtis also got to display her comedic chops for the first time, breaking out of her "scream queen" roles in films like Halloween and Prom Night.  Denholm Elliot as the put-upon English butler and Don Ameche and Ralph Bellamy as the Dukes, round out the cast nicely.  A perfect response to the "greed is good" attitude of the 1980s.

TRIVIA: The film was originally supposed to star Gene Wilder & Richard Pryor, who starred in successful buddy comedies like Silver Streak and Stir Crazy.

Thursday, January 25, 2018

The Essential Films Podcast Ep. #20: Short Subjects - A Look at the 2018 Oscar Nominations



In today's Short Subjects episode, I go down the entire list of Academy Award nominees, announced on January 24th. From Best Picture to Best Visual Effects; From Call Me By Your Name to War for the Planet of the Apes. I cover my thoughts, my predictions and why I think Three Billboards Outside Ebbing Missouri is overrated.

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Sunday, December 24, 2017

The Essential Films Podcast Episode #019: Short Subjects - The Holiday Classics



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EPISODE DESCRIPTION

Join Adolfo on this solo adventure as he discusses some of the cherished Holiday Hollywood classics such as:

A CHRISTMAS CAROL (1938)
THE SHOP AROUND THE CORNER (1940)
MEET JOHN DOE (1941)
HOLIDAY INN (1942)
MEET ME IN ST. LOUIS (1944)
CHRISTMAS IN CONNECTICUT (1945)
THE BISHOP'S WIFE (1947)
SCROOGE (1951)
WHITE CHRISTMAS (1954)
A CHRISTMAS STORY (1983)
SCROOGED (1988)
NATIONAL LAMPOON'S CHRISTMAS VACATION (1989)
HOME ALONE (1990)
THE MUPPET CHRISTMAS CAROL (1992)

and more!


Thursday, December 21, 2017

The Essential Films Podcast Episode #018: Miracle on 34th Street (1947)


It's cold outside. A man's gotta do something to keep warm. On today's podcast adventure: Adolfo and Mark deck the halls and jingle them bells as they celebrate the holidays with MIRACLE ON 34th STREET (1947). The duo are plastered...err--- feeling gay as they discuss the charming wonderfulness of this holiday classic as well as: Kris does NOT take any crap; Fred Gailey is a pimp; you couldn't make this film in 2017; Is Gimbels still in business?; the legal accuracy of the courtroom scenes; Russian princes; and "Mr. Macy." All this plus a conversation on STAR WARS: THE LAST JEDI, Alamo Draughthouse adventures, holiday movie classics, The Rankin Bass Holiday specials, HOLIDAY INN (1942), The many adaptations of A CHRISTMAS CAROL, including SCROOGE (1951), SCROOGED (1988) and THE MUPPET CHRISTMAS CAROL (1992), HOME ALONE (1990) and ELF (2003). Do a wonderful thing and download now!

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Wednesday, December 13, 2017

The 2017 National Film Registry Inductees





Today, the National Film Preservation Board announced its annual inductees for 2017.  The films, as usual, are a variety of important landmark films:

Ace in the Hole (aka Big Carnival) (1951)

Boulevard Nights (1979)

Die Hard (1988)

Dumbo (1941)

Field of Dreams (1989)

4 Little Girls (1997)

Fuentes Family Home Movies Collection (1920s and 1930s)

Gentleman’s Agreement (1947)

The Goonies (1985)

Guess Who’s Coming to Dinner (1967)

He Who Gets Slapped (1924)

Interior New York Subway, 14th Street to 42nd Street (1905)

La Bamba (1987)

Lives of Performers (1972)

Memento (2000)

Only Angels Have Wings (1939)

The Sinking of the Lusitania (1918)

Spartacus (1960)

Superman: The Movie (1978)

Thelonius Monk: Straight, No Chaser (1988)

Time and Dreams (1976)

Titanic (1997)

To Sleep with Anger (1990)

Wanda (1971)

With the Abraham Lincoln Brigade in Spain (1937-38)





Thursday, November 23, 2017

The Essential Films Podcast - Episode #17: The Wizard of Oz (1939)



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There’s no place like home. On today’s Thanksgiving podcast adventure, Adolfo and Mark discuss the 1939 MGM classic: THE WIZARD OF OZ! On this week’s show:

More Alamo Drafthouse!
Watching CASABLANCA on the big screen
It’s not an isosceles triangle!
What human being on this planet hasn’t seen Wizard of Oz?
A Thanksgiving tradition
The troubled production and box office woes of Oz
Dark Side of the Moon
The power of watching a movie on the big screen
The rotating door of directors
Wizard of Oz on stage
High school productions
The Jitterbug
A Thanksgiving tradition
Engrained in pop culture
Roseanne Barr as the Wicked Witch?
The bankability of Fantasy films in the 30s.
Why the film was a dream sequence
The darkness of RETURN TO OZ
“Over the Rainbow” was almost cut from the film
Dorothy and Scarecrow love connection?
The pros and cons of blu-ray
The amazing make-up artistry
Shirley Temple: The original Dorothy?
Ray Bolger originally cast as Scarecrow
Buddy Ebsen’s allergic reaction to the silver Tin Man make up, causing him to be recast by Jack Haley
Who were WC Fields and Ed Wynn considered to play?
Frank Morgan, the MGM character actor
Margaret Hamilton severely burned on a stunt
Juvenile Oscars
The television broadcast gave the film new life
Urban legends
Midgets groping Judy Garland
There is still one Munchkin left!
Sequels & spinoffs!
Wicked the Broadway Musical
The debut of the Random CHRISTMAS Movie Generator



FILM REFERENCES IN THIS EPISODE:

THE WONDERFUL WIZARD OF OZ (1910)
THE WIZARD OF OZ (1925)
SNOW WHITE AND THE SEVEN DWARFS (1937)
A CHRISTMAS CAROL (1938)
GONE WITH THE WIND (1939)
THE SHOP AROUND THE CORNER (1940)
CASABLANCA (1942)
IT’S A WONDERFUL LIFE (1946)
THE BISHOP’S WIFE (1947)
ALICE IN WONDERLAND (1951)
SCROOGE (1951)
REBEL WITHOUT A CAUSE (1955)
THE DIARY OF ANNE FRANK (1959)
MARY POPPINS (1965)
BONNIE & CLYDE (1967)
GUESS WHO’S COMING TO DINNER (1967)
WILLY WONKA AND THE CHOCOLATE FACTORY (1971)
THE TEXAS CHAINSAW MASSACRE (1974)
STAR WARS TRILOGY (1977-1983)
MOMENT BY MOMENT (1978)
THE WIZ (1978)
THE SHINING (1980)
BLOW OUT (1981)
THE THING (1982)
E.T. THE EXTRA-TERRESTRIAL (1982)
MICHAEL JACKSON’S THRILLER (1982)
SCARFACE (1983)
A CHRISTMAS STORY (1983)
GREMLINS (1984)
RETURN TO OZ (1985)
CAPTAIN EO (1986)
THE PRINCESS BRIDE (1987)
THE LOST BOYS (1987)
MOONWALKER (1988)
DIE HARD (1988)
GREMLINS 2: THE NEW BATCH (1990)
HOME ALONE (1990)
MGM WHEN THE LION ROARS (1992)
THE MUPPET CHRISTMAS CAROL (1992)
FALLING DOWN (1993)
ED WOOD (1994)
BATMAN & ROBIN (1997)
STAR WARS: EPISODE I - THE PHANTOM MENACE (1999)
POKÉMON: THE MOVIE - I CHOOSE YOU! (2000)
THE ROOM (2002)
TIN MAN (2007)
500 DAYS OF SUMMER (2009)
THE LORD OF THE RINGS TRILOGY (2001-2003)
ROOM 237 (2012)
THE AVENGERS (2012)
THE HOBBIT TRILOGY (2012-2014)
OZ THE GREAT AND POWERFUL (2013)
SPOTLIGHT (2015)
THOR: RAGNAROK (2017)
MURDER ON THE ORIENT EXPRESS (2017)
JUSTICE LEAGUE (2017)
AMERICAN ASSASSIN (2017)
KINGSMAN THE GOLDEN CIRCLE (2017)
THE DISASTER ARTIST (2017)
IRVING BERLIN’S HOLIDAY INN: THE MUSICAL (2017)
THE GREATEST SHOWMAN (2017)
THE POST (2017)



LINKS:
Key & Peele: Gremlins 2
Moment by Moment TV Spot
The Wonderful Wizard of Oz (1910)
The Wizard of Oz (1925)
Return to Oz Trailer
Maragaret Hamilton on Mr. Rogers’ Neighborhood
Michael Jackson in The Wiz (1978)
Moonwalker Trailer (1988)
Captain EO
Tin Man trailer

SOCIAL MEDIA
TWITTER: @EssentialFilms, @FPMoviePodcast, @Adolfo_Acosta, @Sportsguy515
FACEBOOK: The Essential Films


Monday, November 20, 2017

Blow Out (1981)


BLOW OUT
Brian De Palma
1981 • 107 Minutes • 2.35 : 1 • United States
Filmways Pictures

Cast: John Travolta, Nancy Allen, John Lithgow, Dennis Franz
Screenplay: Brian De Palma
Cinematography: Vilmos Zsigmond
Producer: George Litto

Awards

National Society of Film Critics Awards
2nd place - NSFC Award
Best Cinematography - Vilmos Zsigmond

MURDER HAS A SOUND ALL ITS OWN!


It's a good scream. It's a good scream.

SPOILERS AHEAD

Jack (Travolta) is a sound effects master, recording some real-life sounds for a low-grade slasher movie one night when a speeding car blows a tire and crashes into a nearby river. Jack jumps into action to try and save the passengers. The driver, unfortunately already dead, Jack is still able to rescue the female passenger, Sally. It's revealed that the dead passenger is the governor and Presidential hopeful, and that Sally was clearly not his wife. Jack is involved in a tale of intrigue and suspense as he goes back to his recording of the accident time and time again, to discover any clues as to what really went down that fateful night. Thrown in a serial killer subplot and this becomes top-notch dePalma.

If the premise sounds familiar, it's because the same basic plot has been done before twice in cinema: first with a photographer as the protagonist in Michelangelo Antonioni's BLOW-UP in 1966 and then a surveillance expert in Francis Ford Coppola's THE CONVERSATION in 1974. And Brian de Palma certainly loves to wear his cinematic influences on his sleeve. See: DRESSED TO KILL/PSYCHO and BODY DOUBLE/VERTIGO.  That said, despite the familiar plot, his take on the story may be my personal favorite.

The movie is incredibly well-written, with a conspiracy angle running through out the plot of the film. As Jack's investigation begins to unravel the mystery, you have John Lithgow's character going on a string of random killings in order to manipulate the media into thinking a serial killer is on the loose. That way when he eventually kills Sally in the same gruesome manner, no one will connect her to the larger conspiracy to kill the governor. This is one of Lithgow's earlier film roles and he delivers as the cool and menacing Burke.

Not to be outdone, this may be John Travolta's finest performance ever. Apparently, I'm in good
company as Quentin Tarantino thinks so as well, which prompted him to cast him in PULP FICTION that performance. (FICTION, coincidentally, my other favorite performance).  Travolta had mostly played heroes or romantic leads in his career. In this film, he really gets to demonstrate his chops as this sleazy sound effects editor involved a exceedingly seedy mystery. The climax of the film (SPOILERS) involves Sally, who has been wired for sound to catch Burke on tap, being tortured and killed while Travolta helplessly listens in. It's a dark ending to kill off the romantic lead, and even darker that Jack uses the legitimate scream as a sound effect in his shlocky horror B-movie. "It's a good scream..."

The fact that Travolta wasn't nominated for an Oscar for this performance is a crime. But what's a real tragedy is that the sound design for this film wasn't recognized at all. That's insane. Never have I heard, perhaps except THE CONVERSATION, where sound effects and recording played such a crucial role in the production and have been so flawlessly executed.

The entire film is a meditation on filmmaking and how sound and images can be manipulated to create a story. There's a brilliant scene of Jack using still photographs and matching them to his edited sound recording to create a "movie" that he believes will shed light on the mystery.

Guilt is also a theme running throughout the film, as we find out that Jack used to work with the police in wiring informants for undercover operations, until one night it all went wrong and one of his informants was killed on the job. Sally, who was hired as a way to stir up controversy against the governor, also has a guilty conscience and the unlikely pair is motivated to absolve their sins by solving the mystery.  The political thriller aspect also smells a little of Nixon-era paranoia as well, with powerful men manipulating the news and media to attain their sinister goals. It's perhaps a sick joke that the climax of the film takes place on the backdrop of a massive fireworks celebration in the city where America was "born", Philadelphia.

While receiving positive reviews from critics, word got out of the films pitch black bleak ending, which ultimately hurt the box office.  Thankfully, with new restorations like the Criterion Collection blu-ray, this film will get rediscovered in the years to come.