Wednesday, October 18, 2023

THE NIGHTMARE BEFORE CHRISTMAS (1993)

THE NIGHTMARE BEFORE CHRISTMAS
1993 • Henry Selick

Screenplay: Caroline Thompson; Adaptation by Michael McDowell; Story by Tim Burton
Voice Cast: Danny Elfman, Chris Sarandon, Catherine O'Hara, William Hickey, Glenn Shadix, Paul Reubens, Ken Page
Cinematography: Pete Kozachik
Music: Danny Elfman
Producers: Tim Burton, Denise Di Novi

Disney

Just because I cannot see it, doesn't mean I can't believe it!

The film that has single-handedly kept Hot Topic in business for the last 20 years. The Nightmare Before Christmas is a dark fantasy children’s musical that follows the story of Jack Skellington, the Pumpkin King of Halloween Town. Tired of the same old routine in his spooky world, Jack stumbles upon Christmas Town and becomes enchanted by the idea of bringing Christmas cheer to his Halloween-loving community. He hatches a plan to take over Christmas, but his well-intentioned mission goes awry when his interpretation of the holiday clashes with the traditional festive spirit. Along the way, Jack discovers the importance of embracing one's own identity and appreciating the uniqueness of different holidays.

Every year, as the first leaves of autumn fall and the Spirit Halloween takes over that same spot in the strip mall, there's one movie that finds its way into my heart, remixing the boundaries of traditional holiday genres, and creating a cheerfully spooky mashup. The Nightmare Before Christmas is a film that seamlessly weaves the eerie charm of Halloween with the festive cheer of Christmas, making it not just one of my favorite Christmas movies, but also a staple for Halloween. Despite its initial marketing as a Disney kids' film, this creepy classic delves into the shadows, revealing a darkness that captivates both young and old audiences.

Tim Burton might not have been directly involved in the production, but his influence permeates every frame. Jack Skellington and other prominent characters came to life from his designs and he wrote a poem of the same name, about a skeleton and his love of Halloween. Burton leaves his unmistakable mark on the movie, even if he wasn’t in the studio capturing every shot of the beautiful stop motion. The result is a delightful concoction of the macabre and the magical, a visual feast that stirs the imagination.

The heart of the film lies in Halloween Town, a dream world populated by deformed monsters, ghosts, ghouls, goblins, vampires, werewolves, and witches. These creatures brought to life through marvelous animation, add a layer of depth to the story, making it a visual spectacle. The love for classic monsters is apparent in every ghastly grin, every lurching step, and every eerie cackle of the creatures that populate the film. Tim Burton's deep-seated affection for classic horror films and their iconic monsters is woven into the very fabric of Halloween Town, where the designs of the inhabitants pay homage to the creatures that have haunted our dreams and fueled our nightmares for generations. By infusing Halloween Town with these beloved creatures, the film becomes a love letter to the timeless appeal of classic monsters, reminding us of the enduring power of these iconic beings in shaping our collective nightmares and fueling our imagination.

The design of Halloween Town is a tribute to the aesthetic of German Expressionism. German Expressionism is renowned for its distorted and exaggerated visuals, often characterized by sharp angles, dramatic shadows, and surreal landscapes. In Halloween Town, these elements come to life in a way that is both captivating and haunting. The skewed buildings, twisted trees, and elongated shadows create a sense of otherworldly beauty, evoking a feeling of disquiet that perfectly mirrors the spirit of Halloween. The town's architecture, with its gnarled spires and crooked rooftops, mirrors the distorted perspectives often found in German Expressionist films like The Cabinet of Dr. Caligari or Nosferatu. The use of stark contrasts between light and shadow not only adds depth to the animation but also intensifies the eerie ambiance.

The film is a testament to the power of voice acting, with an ensemble cast that brings life to the film's iconic characters. At the heart of the cast is Chris Sarandon, whose velvety voice lends depth and complexity to Jack Skellington (while Danny Elfman’s voice belted out Jack’s songs), the Pumpkin King who experiences a crisis of identity. Sarandon's portrayal captures Jack's longing for something more, his voice resonating with both melancholy and determination. His ability to convey Jack's emotional journey adds layers to the character, making audiences empathize with the skeleton king's desire for self-discovery. Opposite Sarandon is Catherine O'Hara, whose vocal talents breathe life into Sally, the lovable ragdoll with a heart of gold. O'Hara's voice work is a delicate balance of innocence and wisdom, capturing Sally's resilience despite her delicate appearance. Additionally, the supporting cast, including William Hickey as Dr. Finkelstein, Ken Page as Oogie Boogie, and Paul Reubens as Lock, infuse their characters with unique personalities and quirks. Their vocal performances elevate the film's secondary characters, making them memorable and endearing in their own right.

Danny Elfman's songs, in particular, are unforgettable. From the spirited "This Is Halloween" to the delightful "What's This?" and the mischievous "Kidnap the Sandy Claws," every musical piece is a gem. And who can forget the wicked "Oogie Boogie’s Song?" These tunes have become anthems for fans, their catchy melodies and clever lyrics adding layers to the characters and the story. "This Is Halloween" introduces audiences to the ghoulish delights of Halloween Town, and captures the essence of the film's playful macabre. Its lyrics set the stage for the film's unique blend of darkness and whimsy:

Boys and girls of every age
Wouldn't you like to see something strange?
Come with us and you will see
This, our town of Halloween

"What's This?" is a delightful exploration of Jack Skellington's curiosity about the wonders of Christmas, comparing his fascination with the holiday to his experiences in Halloween Town. The song's sense of wonder and discovery is joyful, making it a standout moment that captures the film's central theme of embracing the unknown.

There's children throwing snowballs instead of throwing heads
They're busy building toys and absolutely no one's dead
There's frost on every window, oh, I can't believe my eyes
And in my bones I feel the warmth that's coming from inside

"Kidnap the Sandy Claws" showcases the mischievous Trick-or-Treaters of Lock, Stock and Barrell, and their sinister plans set to a lively tune. The song's playful lyrics and infectious energy add yet another layer of humor to the film.

Kidnap the Sandy Claws, throw him in a box
Bury him for ninety years, then see if he talks

And then there's "Oogie Boogie's Song," a black-hearted tune that accompanies one of the film's most memorable and sinister characters: The Oogie Boogie Man. The jazzy rhythm offsets Oogie Boogie's menacing lyrics, resulting in my favorite song in the film.

Oh brother, you're something
You put me in a spin
You aren't comprehending
The position that you're in
It's hopeless, you're finished
You haven't got prayer
'Cause I'm Mr. Oogie Boogie
And you ain't going nowhere

What makes these songs truly exceptional is their ability to enhance the characterization and storytelling. Each musical piece delves into the psyche of the characters, revealing their desires, fears, and motivations. Jack Skellington's longing for something more ("Jack's Lament"), Sally's yearning for freedom (“Sally’s Song”), and Oogie Boogie's nefarious schemes are all encapsulated within these melodies. Beyond their narrative significance, these songs have become anthems for fans, transcending the boundaries of the film. The catchy melodies and clever lyrics have inspired covers, remixes, and even entire theatrical productions, showcasing the enduring appeal of Elfman's musical creations. Covers of the songs have been recorded by bands like Marilyn Manson, Fiona Apple, The All-American Rejects, Korn and Amy Lee.

In an era where computer-generated animation reigns, The Nightmare Before Christmas stands as a remarkable testament to the enduring artistry of stop-motion animation. The meticulous attention to detail in every frame, the painstakingly crafted puppets, and the intricate sets showcase a level of artistry and dedication rarely seen in modern filmmaking. Selick's direction brought life to the characters in a way that felt tangible and authentic, capturing the subtle nuances of their expressions and movements, doing justice to the craft of stop-motion animation. The film's stop-motion animation represents a labor of love and an extraordinary feat of craftsmanship. Every character, from the iconic Jack Skellington to the smallest resident of Halloween Town, was meticulously sculpted, molded, and animated frame by frame. Each movement, gesture, and facial expression was carefully choreographed, resulting in characters that felt alive and real, despite being crafted from clay (molded in rubber) and fabric. Selick's direction elevated the art of stop-motion animation but also made it deeply human (skeleton.) The film's enduring appeal lies not just in its innovative animation techniques, but also in its ability to capture the essence of the holidays and the human experience. Selick's masterful direction makes it clear that stop-motion animation when executed with skill and passion, can create cinematic wonders. The Nightmare Before Christmas may just be the best stop-motion animated film of all time. (Sorry, Rudolph)

While initially a theatrical release, The Nightmare Before Christmas found its true home in the black hearts of goth viewers through home video sales. Its spooky narrative, coupled with its striking animation and banging music, turned it into a cult classic. It’s more mainstream now, but we liked it before it was cool, ok man? Each year, as the holiday season approaches, fans eagerly revisit Halloween Town and Christmas Town, reveling in the film's timeless appeal.

Kidnap the Sandy Claws, beat him with a stick, lock him up for ninety years, see what makes him tick.

Notoable Awards & Accomplishments

  • Academy Award Nominee: Best Visual Effects

  • Saturn Award Winner: Best Fantasy Film, Best Music

  • Golden Globe Nominee: Best Original Score

Streaming: Disney+
Digital Rental/Purchase: Available at most digital retailers
Physical Media: Available on 4K, Blu-Ray and DVD.

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Tuesday, September 26, 2023

The Essential Films Podcast Episode #59: THE GRAPES OF WRATH (1940)

EPISODE DESCRIPTION

We're back! After an unplanned hiatus, we are back on your podcast app of choice. On this week's adventure Adolfo and Mark discuss John Ford's THE GRAPES OF WRATH.

On Today's Show:

  • Mark’s Hollywood Journey
  • Mark wins an Oscar!
  • Walt Disney Archives
  • How to properly hold an Oscar
  • The glory days of VHS
  • “A Very Special Epsidoe”
  • The heaviness of The Grapes of Wrath
  • Watching the movie instead of reading the book for school
  • The differences between the movie and the novel
  • Quick turnaround from the novel’s publishing to the release of the film
  • Very socialist messaging, which is odd in the times of communist scapegoating
  • The Great Henry Fonda
  • “Just following orders”
  • Tom’s family thinking he broke out of jail
  • Heartbreaking shots
  • Grandpa’s medicine
  • Holding out hope for meager rewards
  • The brotherhood of the working class
  • Giving Grandma the Weekend at Bernie’s treatment
  • The dwindling of the family
  • Movie is clearly pro-Union
  • The Company Store scam
  • Tom’s sense of dignity, duty and self respect won’t allow him to be bullied
  • The government working camp is good for them, but it only lasts temporarily
  • Tom’s sacrifice for his family and following his calling to do good
  • Is tom a christ figure?
  • “We’re the people”
  • The power of the work and anti corporation - basically tenets of communism
  • Grapes of Wrath was woke before woke was a thing
  • Grapes of Wrath’s Academy Award nominations and wins, stealing the Best Director from Hitchcock who never got an Oscar
  • An inspirational but depressing movie
  • Will AFI update their lists?

Films Referenced:


  • Rebecca (1940)
  • The Philadelphia Story (1940)
  • The Ten Commandments (1956)
  • White Wilderness (1958)
  • Some Like it Hot (1959)
  • The Abominable Dr. Phibes (1971)
  • The House That Dripped Blood (1971)
  • On Golden Pond (1981)
  • ET: The Extra-Terrestrial (1982)
  • Return of the Jedi (1983)
  • Punky Brewster (TV Series, 1984-1988)
  • Diff'rent Strokes (TV Series, 1978-1986)
  • Full House (TV Series, 1987-1995)
  • ​​Cartoon All-Stars to the Rescue (1990)
  • Dinosaurs (TV Series, 1991-1994)
  • Boy Meets World (1993-2000)
  • Kill Bill: Vol 1 (2003)
  • Super Mario Bros. Movie (2023)
  • Beau Is Afraid (2023)

Links: 
Substack: adolfoacosta.substack.com
YouTube: https://www.youtube.com/@adolfojacosta
Website: essentialfilmspodcast.com

Sunday, September 24, 2023

Les Diaboliques (1955)


LES DIABOLIQUES
1955 • Henri-Georges Clouzot

Screenplay: Henri-Georges Clouzot, Jérôme Géronimi based on the novel by Pierre Boileau and Thomas Narcejac
Starring: Simone Signoret, Michel Serrault, Vera Clouzot

It's always the ones who know how that get drowned. The ones who can't, don't go near the pool.

Henri-Georges Clouzot's psychological thriller Les Diaboliques is one of the finest works of horror ever captured.  He accomplished this without monsters.  Without aliens.  Even without ax-wielding psychopaths.  Clouzot uses mood, lighting, and brooding cinematography to capture the terror.  Two women, equally spurned by a chauvinist school headmaster, conspire to kill the man that's making their lives hell.  But after the murder goes down, the real nightmare begins.  The next day the body disappears and neither conspirator knows what happened.  Was he still alive?  Did they not kill him properly?  Or, even more terrifying... is there something supernatural at work here?  Clouzot doesn't let up the suspense until the very last frames of the film, ultimately climaxing in quite simply the best twist endings of all time.

The story, written also by Clouzot, has a perfectly structured three-act arc.  Act I sets up the characters, the location, and the murder.  Michel Delassalle is the headmaster, a cruel chauvinist pig.  He does not hide the fact that he has a mistress from his wife.  Too bad he treats his mistress the same way he treats his wife: like garbage.  After both women join forces to kill him, they drown him in the school's dirty swimming pool.  Act II starts the mystery. The next day the pool is drained to the horror of both women, however, no body is found.  The killers are shocked, but continue their duties at the school as normal.  That is, however, until there are multiple sightings of the headmaster on campus.  The killers (or are they?) slowly start to lose their minds as the mystery deepens.  Act III is the terrifying conclusion, which will not be spoiled here.  The resolution to the unbearable suspense is highly satisfying.

The formula for this film has often been imitated, but no film has ever surpassed it.  This is a French production, so for English speakers, there are subtitles.  What's amazing is that the film's visual language is universal.  Clouzot's direction, combined with Armand Thirard's cinematography, does all the talking.  It is beautifully shot; the black and white works perfectly to set the mood and accentuate the dark corners of this world.

Last but not least, the acting is top quality.  Véra Clouzot, the director's wife, played the schoolmaster's wife while Simone Signoret played the mistress.  The acting weight of the movie rests on both their shoulders as they have to do the majority of the heavy lifting.  And they both hold up their end of the bargain.  Clouzot plays the demure shrinking violet pushed to the edge of murder.  Signoret's mistress is the femme fatale who plots the grisly event.  Once the mystery sets in, the two women go slowly insane, paranoid, irrational, and increasingly terrified.  Both actresses do an exceptional job of conveying the madness of the two killers.

Simply put Les Diaboliques is a brilliant piece of horror.

Die, darling! Die and do it quickly! 




Saturday, December 24, 2022

The Essential Films Podcast Episode #58: A CHRISTMAS CAROL @ THE MOVIES!



Are you the podcast whose coming was foretold to me? On today's podcast adventure, Adolfo and Mark play Podcast Hosts of Christmas Past as they look at the long history of screen adaptations of Charles Dickens' immortal classic A CHRISTMAS CAROL!  Movies discussed include: A CHRISTMAS CAROL (1938), SCROOGE (1951), SCROOGE (1970), SCROOGED (1988), THE MUPPET CHRISTMAS CAROL (1992) and many more!

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