The Essential Films Podcast Episode #59: THE GRAPES OF WRATH (1940)

The Essential Films Podcast Episode #59: THE GRAPES OF WRATH (1940)

EPISODE DESCRIPTION

We're back! After an unplanned hiatus, we are back on your podcast app of choice. On this week's adventure Adolfo and Mark discuss John Ford's THE GRAPES OF WRATH.

On Today's Show:

• Mark’s Hollywood Journey
• Mark wins an Oscar!
• Walt Disney Archives
• How to properly hold an Oscar
• The glory days of VHS
• “A Very Special Epsidoe”
• The heaviness of The Grapes of Wrath
• Watching the movie instead of reading the book for school
• The differences between the movie and the novel
• Quick turnaround from the novel’s publishing to the release of the film
• Very socialist messaging, which is odd in the times of communist scapegoating
• The Great Henry Fonda
• “Just following orders”
• Tom’s family thinking he broke out of jail
• Heartbreaking shots
• Grandpa’s medicine
• Holding out hope for meager rewards
• The brotherhood of the working class
• Giving Grandma the Weekend at Bernie’s treatment
• The dwindling of the family
• Movie is clearly pro-Union
• The Company Store scam
• Tom’s sense of dignity, duty and self respect won’t allow him to be bullied
• The government working camp is good for them, but it only lasts temporarily
• Tom’s sacrifice for his family and following his calling to do good
• Is tom a christ figure?
• “We’re the people”
• The power of the work and anti corporation - basically tenets of communism
• Grapes of Wrath was woke before woke was a thing
• Grapes of Wrath’s Academy Award nominations and wins, stealing the Best Director from Hitchcock who never got an Oscar
• An inspirational but depressing movie
• Will AFI update their lists?

Films Referenced:

• Rebecca (1940)
• The Philadelphia Story (1940)
• The Ten Commandments (1956)
• White Wilderness (1958)
• Some Like it Hot (1959)
• The Abominable Dr. Phibes (1971)
• The House That Dripped Blood (1971)
• On Golden Pond (1981)
• ET: The Extra-Terrestrial (1982)
• Return of the Jedi (1983)
• Punky Brewster (TV Series, 1984-1988)
• Diff'rent Strokes (TV Series, 1978-1986)
• Full House (TV Series, 1987-1995)
• ​​Cartoon All-Stars to the Rescue (1990)
• Dinosaurs (TV Series, 1991-1994)
• Boy Meets World (1993-2000)
• Kill Bill: Vol 1 (2003)
• Super Mario Bros. Movie (2023)
• Beau Is Afraid (2023)

Links: 
Substack: adolfoacosta.substack.com
YouTube: https://www.youtube.com/@adolfojacosta
Website: essentialfilmspodcast.com

Les Diaboliques (1955)

LES DIABOLIQUES

1955 • Henri-Georges Clouzot

Screenplay: Henri-Georges Clouzot, Jérôme Géronimi based on the novel by Pierre Boileau and Thomas Narcejac

Starring: Simone Signoret, Michel Serrault, Vera Clouzot

It's always the ones who know how that get drowned. The ones who can't, don't go near the pool.

Henri-Georges Clouzot's psychological thriller Les Diaboliques is one of the finest works of horror ever captured.  He accomplished this without monsters.  Without aliens.  Even without ax-wielding psychopaths.  Clouzot uses mood, lighting, and brooding cinematography to capture the terror.  Two women, equally spurned by a chauvinist school headmaster, conspire to kill the man that's making their lives hell.  But after the murder goes down, the real nightmare begins.  The next day the body disappears and neither conspirator knows what happened.  Was he still alive?  Did they not kill him properly?  Or, even more terrifying... is there something supernatural at work here?  Clouzot doesn't let up the suspense until the very last frames of the film, ultimately climaxing in quite simply the best twist endings of all time.

The story, written also by Clouzot, has a perfectly structured three-act arc.  Act I sets up the characters, the location, and the murder.  Michel Delassalle is the headmaster, a cruel chauvinist pig.  He does not hide the fact that he has a mistress from his wife.  Too bad he treats his mistress the same way he treats his wife: like garbage.  After both women join forces to kill him, they drown him in the school's dirty swimming pool.  Act II starts the mystery. The next day the pool is drained to the horror of both women, however, no body is found.  The killers are shocked, but continue their duties at the school as normal.  That is, however, until there are multiple sightings of the headmaster on campus.  The killers (or are they?) slowly start to lose their minds as the mystery deepens.  Act III is the terrifying conclusion, which will not be spoiled here.  The resolution to the unbearable suspense is highly satisfying.

The formula for this film has often been imitated, but no film has ever surpassed it.  This is a French production, so for English speakers, there are subtitles.  What's amazing is that the film's visual language is universal.  Clouzot's direction, combined with Armand Thirard's cinematography, does all the talking.  It is beautifully shot; the black and white works perfectly to set the mood and accentuate the dark corners of this world.

Last but not least, the acting is top quality.  Véra Clouzot, the director's wife, played the schoolmaster's wife while Simone Signoret played the mistress.  The acting weight of the movie rests on both their shoulders as they have to do the majority of the heavy lifting.  And they both hold up their end of the bargain.  Clouzot plays the demure shrinking violet pushed to the edge of murder.  Signoret's mistress is the femme fatale who plots the grisly event.  Once the mystery sets in, the two women go slowly insane, paranoid, irrational, and increasingly terrified.  Both actresses do an exceptional job of conveying the madness of the two killers.

Simply put Les Diaboliques is a brilliant piece of horror.

Die, darling! Die and do it quickly! 

Short Subjects: The Bride of Frankenstein (1935)